Thursday, May 30, 2024
HomeArchitectureTour the Montecito House of One Artistic Couple

Tour the Montecito House of One Artistic Couple


Although a house will be stunning, treasured, and sensible, most individuals can not justifiably declare that their property is certainly an ideal instance of anyone attribute—a lot much less a locale-defining architectural model. However for Justine Roddick and Tina Schlieske, such a declaration may simply be legitimate. “Contemplating the home as a complete, that’s the exterior of the home, the backyard, and the inside, I think about it with out query to be essentially the most good instance of the Hispanic Moresque sort of structure developed to go well with situations that exist in America right now,” architect George Washington Smith wrote to Vogue options editor John McMullin of his own residence—the now Roddick-Schlieske residence. In Could of 1926, this letter was written in response to a query posed by McMullin, and Washington Smith—practically a decade into his architectural profession—was making a reputation for himself all through Southern California.

Just a little over a yr later, that very same Montecito undertaking appeared in a four-page Vogue unfold as a part of an August 1927 shelter-centric concern. “A Spanish House in California,” reads the story’s headline, which describes Washington Smith because the “greatest recognized of California’s architects.” And though the designer’s “with out query” was changed with an editorialized “maybe,” the sentiment was the identical: The house was a close to pristine blueprint for what an American, Spanish-inspired house ought to appear to be.

For these causes and others, Roddick and Schlieske have been hesitant to be too heavy-handed of their renovation of the property, roughly a century later. Although they’d owned the historic house for a couple of decade, it had by no means felt prefer it was really theirs. “COVID kicked our want to make the house ours into excessive gear,” Schlieske, a musician, explains. On the identical time, the couple felt deeply that the intention of Washington Smith couldn’t be ignored or, worse, erased. “We needed to be so respectful of the bones of the home, and we have been struggling to find out learn how to imprint ourselves and what we love into the material of the house with out debasing it in any approach,” she provides.

So, the pair enlisted Tamara Kaye-Honey, an inside designer and founding father of House of Honeyto assist with what Roddick described as this “overarching complication.” As Kaye-Honey explains, “I believe what they responded to was our fierce use of shade and boldness, and I had been generally known as somebody who can respect the bones of a property, whereas additionally creating inside areas that flip it on its facet.”

And flipped it’s. Wanting again on the undertaking, it’s maybe the eating room that encapsulates this transformation essentially the most. Earlier than, the household virtually by no means frolicked in that a part of the home however discovered themselves drawn to it instantly after Kaye-Honey completed engaged on the area. “It was one of many first issues that Tamara completed,” Schlieske says. “And the colours she selected, the chairs, the superb pendant gentle, the curtains…I simply couldn’t wait to see what she’d do with the remainder of the home.” What’s extra, it’s the proper wanting glass to substantiate Washington Smith remains to be very a lot part of the property. The hand-painted ceiling and handmade purple flooring tiles—two authentic particulars—weren’t solely left untouched, however are additionally clearly central to the room’s success. “We didn’t need to take away from any of those parts. As an alternative, it was about pulling colours in, and including to what had been there for 100 years,” Kaye-Honey says. That sentiment is carried by way of the remainder of the home too, with lots of its most original authentic options—coffered ceilings, hand-painted tiles, and murals by painter Ramos Martínez—nonetheless proudly on show.

However now, it’s additionally a real Roddick-Schlieske house. A hot-pink entryway greets visitors with a chromatic gust, whereas cheeky particulars—like an Elvis shrine—wait simply across the nook. Textures, layers, and patterns erupt all through the home, whereas rooms develop from deep saturation to misty delicacy, constructing rigidity in a single that’s launched within the subsequent. “For me, as a designer, it’s at all times about creating these experiences and sudden moments,” Kaye-Honey says. “You’ll be able to have this second with wild, creative wallpaper, and then you definately shut the door and it’s abruptly far more subdued.”

Aesthetic intentions apart, Kaye-Honey explains her staff strived to create areas the place the household may “dwell life out loud.” And, with the metamorphosis now completed, it’s a purpose that’s been simply met. “Earlier than, it by no means felt cohesive, and I at all times simply felt we may accomplish that significantly better,” Roddick explains. “And I can’t inform you what number of instances we’ve had folks over to play dwell music or to assemble, and everybody feels so linked, so heat, so held, so cherished—I’m very honored it’s our house.”


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