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Structure Classics: Gold Museum / Germán Samper

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Structure Classics: Gold Museum / Germán Samper

Architecture Classics: Gold Museum / Germán Samper - Image 1 of 25

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Speaking concerning the Gold Museum means discussing an bold mission resolved by means of easy design rules and sobriety. Inaugurated in 1968, this constructing, positioned on the jap facet of Santander Park, goals to ascertain itself as a humble capsule that intrigues guests and takes them on a fascinating journey by means of the world of Colombian artisanal expertise.

The Gold Museum establishes an architectural parallelism with the Church of San Francisco de Asis (1567) positioned throughout the road, conveying the uncooked purity of the fabric in entrance of town by means of the expression of its facades,  in the end resulting in the radiant burst of sunshine that emanates from the very coronary heart of the quantity.

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Architecture Classics: Gold Museum / Germán Samper - Image 16 of 25© Dan Gamboa Bohorquez

Germán Samper himself describes the mission as a chest that holds a valuable treasure inside; it’s exactly Samper who opts for purist white marble and decides to surrender any aesthetic gesture to present prominence to the shadows of the timber in Parque Santander.

To contextualize the present state of the mission, you will need to know that it was developed in two notably vital phases in Germán Samper’s life: the primary stage of 6,600 sq. meters (1968) was carried out throughout his time on the Esguerra Sáenz y Samper agency, and the museum extension (2008) with GX Samper Arquitectos (a agency led by his personal daughter) added an extra 6,300 sq. meters. Regardless of the age distinction within the mission’s growth, it’s evident that the architect’s spatial exploration remained constant all through the work.

Architecture Classics: Gold Museum / Germán Samper - Image 12 of 25© Dan Gamboa Bohorquez

Upon getting into the museum, the glass-surrounded foyer presents the floating quantity above our heads as a cosmogonic analogy to the conception of ancestral information that resides over the customer. This entrance serves as a reception space designed to ask the road and the park to step into the house. In truth, this is likely one of the fixed issues all through your complete mission: to search out numerous means to include the encircling house into the quantity and make it a part of the exhibition, as if to emphasise that the current will, to some extent, change into a relic sooner or later, disconnecting the viewer from any aware temporality.

Architecture Classics: Gold Museum / Germán Samper - Image 13 of 25© Dan Gamboa Bohorquez

From this level onward, the museum branches off into completely different paths: persevering with on the similar degree in direction of the restaurant, descending to go to the memento store, or ascending the steps to entry the varied exhibition rooms positioned all through each the 1969 and 2008 buildings. Germán Samper makes a transparent distinction between the executive and museographic sections, despite the fact that they’re in symbiosis inside each volumes.

Architecture Classics: Gold Museum / Germán Samper - Image 2 of 25© Dan Gamboa Bohorquez

The inclined stairs are built-in with a connecting void that gives central gentle to the quantity and disappears between every room, giving method to darkness. Whereas within the unique mission, the circulation merely results in the exhibition rooms, it’s within the enlargement the place we see a preamble to every room created by a vestibule that frames the facades of the adjoining buildings. Moreover, there’s furnishings design that serves as an expression of the partitions themselves, and an inside design effort evident in legends and historic paraphrases positioned as finishes alongside the corridors.

Architecture Classics: Gold Museum / Germán Samper - Image 18 of 25© Dan Gamboa Bohorquez

We are able to perceive the museum as a zigzag that makes use of the customer as a needle, weaving by means of areas and shifting between the luminous voids to succeed in the darker chambers. From the primary room, there’s particular take care of lighting, and a labyrinth is resolved, even reaching the huge expanse of the jap facade of the quantity. That is how, hand in hand with museologist Efraín Riaño, every room is endowed with a personality the place, sarcastically, the house is outlined by contemplation slightly than materiality. The objects are organized in order that any bodily boundary is totally blurred, immersing the viewer in an infinite cosmogony the place gentle turns into the spatial conductor.

Architecture Classics: Gold Museum / Germán Samper - Image 3 of 25© Dan Gamboa Bohorquez

The final two rooms of the itinerary are notably fascinating and distinct from one another. The penultimate room, positioned within the extension of the museum, homes the so-called “Sala de las Ofrendas” (Corridor of Choices), a round and theatrical house the place a play of lights leads from complete darkness to the disclosing of a whole lot of rigorously curated gold objects for exhibition. The ultimate room, located on the fourth and final flooring of the unique quantity, is designed for short-term exhibitions and incorporates a discreet patio that opens in direction of Santander Park and the neighboring buildings, together with the Avianca Constructing, additionally designed by Germán Samper.

Architecture Classics: Gold Museum / Germán Samper - Image 6 of 25© Dan Gamboa Bohorquez

Interdisciplinarity is what offers start to the ultimate results of this work. It not solely depends on architectural design to work together with the customer but in addition attracts upon the experience of museographers and engineers to enrich the architect’s preliminary imaginative and prescient. The Gold Museum fulfills its programmatic goal of encapsulating a pre-Columbian treasure inside its partitions, whereas additionally showcasing a powerful synergy between structure and inside design.

Architecture Classics: Gold Museum / Germán Samper - Image 22 of 25Flooring plan: first flooringArchitecture Classics: Gold Museum / Germán Samper - Image 25 of 25Part

Space
Space of this structure mission

Space: 
12900 m²

Yr
Completion yr of this structure mission

Yr: 

1958



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